A hollow in the under world: The funky death song concept has long been hidden for the audience. A tonality borrowed from death fairs combined with the rhythm aesthetics of the disco, ranging from refined to primal, from relaxed to distressing intensity. Like a UFO that slowly thrives into a black hole and begins to crack due to it's the increased pressure and the crew starts to fight each other more and more increasingly. This transformation is necessary to describe within which spectra The Exorcist GBG moves. Nevertheless, each song is a universe itself, from spacecraft fiction to death disco.